oscar Domingo Rajme


A wave of longing through my body swept | Ceilidh Munroe

How do you capture the joyful exuberance of a specific place without geographical referents?

If I only give you colours and shapes, can you identify the island I’m thinking of?

Will you feel my home? Will you feel at home?

Straddling two worlds is an experience unique to those of us with hyphenated identities. “Jamaican-Canadian”. “Canadian-Jamaican”? Which do I put first? Which do you put first? Which clothes feel more comfortable? Which clothes do you think I look better in?

Use a colour palette taken from the cover of a “Caribbean Style” home decor book to imagine a vibrant island. Use a line in a poem to emulate a feeling of displacement. Use an image to reflect on the snippets of memory that stick with you when you leave a place: hints of colour; a smell; the sounds of tree frogs and mourning doves at night; the cadence of cars making a left turn down the street; the feel of the breeze across your shoulders.

Use A wave of longing through my body swept to peer at the definition of home for someone who is never quite rooted in either location. Consider that both places feel alien, while simultaneously feeling like they’re beckoning me (and you) home.

Use visual language to try to communicate a pressing sense of inadequacy at both tables. When always only half, how do you feel whole?

Use the image of the house, sometimes only partially completed, to make yourself at home. .

This project received an Honourable Mention for the Mary Plumb Blade Award

A wave of longing through my body swept, 2019. Linocut and monoprint on rice paper. 20 x 25 cm (each), installation dimensions variable. 


Entanglements | Emilee Guilfoyle

Emilee Guilfoyle is an unsettled queer woman, emerging artist, and theorist-in-training. She is a recent BFA graduate of Emily Carr University’s Critical and Cultural Practices program, where her practice is rooted in interdisciplinary praxis. She has recently been accepted in Simon Fraser University’s Postbaccalaureate Program in Arts and Social Sciences for Fall 2020 to continue her journey in academia.

In this particular mixed media series, she explores the materiality of the land through adopting artistic methodologies. Through experimenting with the sculptural qualities of monotype printmaking and collage techniques; she repurposes manmade materials to resemble something illusive in nature.

 

Contact Info: 

Instagram: @emalee_paige

Email: guilfoyleemilee@gmail.com

"not knowing is knowing," 2020. Mixed Media Monotype. 24 x 56".

Emilee continually investigates an interdisciplinary space that consists of relational thinking and art-making. She is interested in the relationships or entanglements of knowledge between our bodies, non-human entities, and the land. The land is not merely an item of possession, but it is rather an active reciprocal relationship of culture, conversation, and knowledge.

Emilee is humbled and privileged to be residing on Coast Salish Territories, specifically, the Musqueam (xwməθkwəy̓ əm), Squamish (Sḵwx̱ wú7mesh), and Tsleil-Waututh (səl̓ ilwətaɁɬ) Nation, or commonly known as Vancouver, BC.

"spiritual entanglement", 2020. Mixed Media Sculpture. Dimensions Variable.

These works were installed in the March 2020 student exhibition, Symbiotic, in the Micheal O’Brian Exhibition Commons. This exhibition also featured works by fellow BFA graduates: Lyndsay Mckay, Lyrica Waskalik, and Mirela Malimban.

https://www.ecuad.ca/calendar/symbiotic

Photo Credit: Lyrica Waskalik